The last place I saw
your name above ground
was in the Sunday obituaries.
I stared at weathered ink
of em-dashes and slashes
that explained the correct way to say
Your last name
that anyone who reads it
will likely not get it right;
They were never trained on how to
relax their bottom lip to get the accent right,
or how long they are supposed to let the “O” roll.
They’ll especially never know the way you’d
blow smoke on my face
When I breathed your name
out in the way you used to make fun of me for,
Even though it was the mantra that always
got you finish.
Grandma told me that death is never really an ending.
When the fog clears from the shower head,
The lessons from our “love”
That are forever etched
along my bottom left triceps
Becomes visible on the
long side of the silver tap.
I’ve become accustomed
to finding you living
in the final stretches
of ink in my pens and
The margins of a book.
Today, you live in the newspaper.
In forty years, I’ll run into you
At the park, and in a few days
When I close my eyes in a mid-work nap.
There is a blood drive at the library,
And I know I’ll see you again
When the needle passes through
The dermis of the right inner bend of my elbow.
But this isn’t the result of
the body keeping score.
/
Naa Asheley Ashitey is a Chicago-born writer and MD–PhD candidate at the University of Wisconsin–Madison. A first-generation, low-income Ghanaian-American and University of Chicago alumna, she writes at the intersection of race, medicine, and belonging. Her creative and editorial writing examines how policy, media, and academia reproduce structural violence—and what it means to resist with truth. Her creative work appears or is forthcoming in Eunoia Review, BULL, Hobart, The Cincinnati Review, and editorials for The Xylom, MedPage Today and KevinMD. She has been nominated for multiple awards, including Best Small Fiction and a finalist for the Claire Keyes Poetry Award. More at NaaAshitey.com. Twitter/Instagram: @foreverasheley Bluesky: @foreverasheley.bsky.social